Y’all it’s chili with no crackers outside! Miss December has arrived and wants us to know she may not call the Dairy Queen dessert into the chat, but you will know what brick means. Time is of the essence. Pick your head-turning shiny garments for the living room ball drop and bring in 2024 as the baddest one you know. The time is now to reexamine your goals and celebrate the small wins. Be serious with yourself but keep in mind the wisdom of time. No need for hasty transformations. Just be yourself but change the recipe. Being yourself is the key I tell ya. Nobody can ever say you were never real when you have shown them who you are and what you stand on. This week, I return full circle to one of the topics I left open when I briefly mentioned nonbinary gaymer SonicFox. Brows were raised when rapper Waka Flocka’s team made commotion about signing the 25 year old pro to their esport organization, Nobï. The social posts were giving pushy vibes. Team Nobï wanted to make waves in the fighting game community. However, Waka’s endorsement of he-who-shall-not-be-named-but-by-the-color-orange, indeed posed a serious conflict of interest. Yes, folks can game together and have oppositional views. But endorsing someone who campaigned on eradicating you and your communities is not a mere difference of opinion. It has real, life-and-death consequences. We know the saying, “All money aint good money.” Nobï Founder and Co-owner Fashun Rivers has since been leaving SonicFox on read regarding payment for the 1v1 against Waka Flocka a few months ago. Everyone knew how this match would turn out and it was the blindfold win that gave us the gag. Unfortunately, Rivers only paid SonicFox half of what was owed. Rivers rebuffed SonicFox’s request for him to check his Discord, tweeting simply “Go Live.” In the public fallout, SonicFox has been vocal about refusing to join Nobï due to Waka tweeting with his whole chest. Rivers had a lot to say. If you read all of it you may catch his statement about how the company does not endorse any particular party. Can you see 45 at a gaming tournament surrounded by furries? Better yet can you see furries for Trump? Yea say with me, Shut Up Fool.
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Queer Streamers to Watch 2
Twitch and YouTube have many amazing content creators, but it can be hard to find authentic queer and BIPOC voices. These platforms’ algorithms always favor straight cis men who espouse Tech Bro-approved politics, rather than anything truly radical or subversive. This series is meant to help! It costs nothing to follow these creators on Twitch, but it can make a world of difference for them. Make sure to check out Part 1 for more creators you should follow and support. Where possible, we have tried to confirm the identity of the streamers mentioned, in an effort to center queer streamers of color. However, we understand that many streamers – especially VTubers – wish to maintain their privacy by not publicly disclosing personally identifying information. We respect any and all requests not to mention the race of a streamer when asked. Only information the streamer themself has disclosed publicly is included in these articles to avoid any doxxing. PleasantlyTwstd Vanessa (she/they) is a Black non-binary streamer. They prefer putting their face out there instead of a virtual avatar. Vanessa frequently runs streams for charities, raising money for a variety of worthy causes, such as Aid for Palestine and National Children’s Alliance. They are a prominent activist throughout social media, calling out racists in gaming and other industries. Vanessa has challenged racism within the Twitch and YouTube algorithms, pointing to how they favor white creators. Vanessa streams a wide variety of games. On the crunchier end, they do lots of streams with Dark Souls 3 and Bloodborne, games known for punishing difficulty. There are anime games in the mix, such as Persona 5 Tactica and Genshin Impact. Vanessa also loves to spotlight indie games and even devotes an entire video collection to streams featuring them. It’s just another way they give back to the gaming community! EspeSymone Espe Symone (they/he/she) is a queer Black trans streamer. In her own words, she is, “unapologetically Black and Trans!” One of Espe’s biggest concerns is getting more Black queer streamers into public view and making sure Black queer viewers will always have people they can identify with to watch. Toward that goal, Espe is one of the leaders of the Twitch Black Unity Guild, making her a key influencer among Black streamers. Espe’s leadership is just one way Twitch is trying to make its platform safer for Black queer and trans creators. Obviously there’s more Twitch needs to do, but you can’t go wrong giving influence to Black trans women! Espe’s community is 18+ only. She mainly streams Overwatch 2, but sprinkles in other titles like the anti-capitalist satire Lethal Company. She also hosts fun things like Black Queer Trivia nights to teach her viewers Black LGBTQ+ history. Mufasa Screams Janita, who also goes as Mu (she/her), is a queer Black woman streamer. Mu is a traditional face cam streamer. She’s full of positive vibes, such as inviting her audience to create vision boards to guide them. She commits to and pursues the future she wants and encourages everyone to do likewise. Mu has a specific focus for her streams: Apex Legends. As of November 2023, Mu is ranked as the 19th most-watched female Apex Legends streamer in the world! Apex is one of the most-played video games of all time and is a team-based battle royale. Battle royale games have a reputation for problematic players, so watching someone like Mu ensures a safe viewing experience. Mu demonstrates her expertise six days a week, taking only Monday off for rest. Shark Vader Cadence, who goes by Shark (she/her), is a queer mixed POC (East Asian and Hispanic) woman VTuber streamer. As the name suggests, she loves sharks! Her preferred avatar is a pink shark carrying hearts. A finned friend to spread the love. Her streams are full of positive energy and she is always upbeat and humorous. Similar to how Mu demonstrates female gaymer superiority in Apex Legends, Shark specializes in Dead by Daylight. Dead by Daylight is a horror game pitting survivors against monsters. Shark is a survivor player, so she works with a team of others to live through her matches. And no matter how the game goes, she sets a great example through her upbeat spirit.
Digital Anti-Black Transmisia
Black Twitter be wildin’ In late July, “comedian” Jess Hilarious responded to TikToker @itsblessingrose, who explained that cis women are not the only people who have periods. Blessing Rose, a Black trans woman, used her platform to include the various people who might menstruate but are not cisgender women. The Shade Room, a Black-owned tabloid site—notorious for its queerphobic content—picked up Blessing Rose’s video. It went viral across several social media platforms, specifically in Black spaces like Black Twitter and Black TikTok. In her response, Jess Hilarious asked the internet, “Who’s going to stand up for us?” She explains that by “us” she means “real women.” “Real women” is a classic rhetorical move that dehumanizes trans women and robs many of us of our womanhood. Jess Hilarious’ video sparked a larger conversation in Black digital spaces about the alleged “attack on Black cis women.” In a tweet, trans activist Ts Madison stated: There are sooooo many “Real” women that get mistaken for being “transgender” Women and that’s where a lot of the anger comes from…. I do hope they take a Good look at how Transphobia affects ALL women…… Ts Madison describes the frequency with which Black cis women are mistaken as transgender—a common form of misogynoir that strips Black women of their femininity. People accuse cis women, just like they do trans women, of being “men in dresses” because they might be tall, have a deeper voice, are athletic, have a specific jawline, or dress a certain way. In fact, this form of anti-Black misogyny is directly linked to chattel slavery where enslaved Black women’s femininity was forcibly repressed to further distinguish them as sub-human and inferior to the white women on slave plantations. Black cis women who have been targeted by such misogynoir include Serena Williams, Megan Thee Stallion, Wendy Williams, Michelle Obama, and even Jess Hilarious herself. Ts Madison additionally, and importantly, notes that transphobia does not just affect trans women, but all women. In fact, cis women have been violently attacked for presumed transgender identity, and many anti-trans healthcare laws are impacting cis people as well. Defining “Transmisia” Planned Parenthood distinguishes between Transphobia and Transmisia: “Transphobia and transmisia are basically the same. However, transphobia means ‘to be fearful of transgender people,’ which isn’t an accurate way to talk about oppression.” They give 3 reasons as to why: In medical language, phobias are anxiety disorders. So, saying “transphobia” is unfair to people who have actual phobias. Even if someone has fear about trans and nonbinary people — like fear of the unknown or a changing world — it isn’t a phobia. Because “transphobia” sounds like an individual condition, the word downplays systems and institutions that harm trans and nonbinary people. Furthermore, they state that “The “misia” in transmisia means “hatred.” This is a helpful word because it highlights the prejudice at the root of beliefs, attitudes, behaviors, and systems that hurt or deny the existence of trans and nonbinary people.” I was first introduced to transmisia by Black trans activist Hope Giselle when she joined Ts Madison for her YouTube series, “The Maddie in the Morning Show” to discuss transphobia and transmisia in the Black community. Like Planned Parenthood and Hope Giselle, I find using transmisia to be particularly helpful because it centers the behavior and actions as something systemic and ingrained in our institutions. Giselle’s articulation of this specific kind of prejudice (anti-Black transmisogyny happening in digital spaces) came only days after her efforts to help mobilize people in Baltimore after a Black trans woman was violently harassed and attacked. After this attack, many comments on social media were fueled by digital transmisia, essentially blaming the victim. Social media spaces like Twitter, Instagram, and TikTok can, and do, exist as systems of anti-trans rhetoric. These platforms can perpetuate mis and disinformation, stereotypes, and harmful narratives, which then fuel anti-trans policies. Transmisia then provides a valuable term for discussing how digital spaces can operate systematically to oppress trans people. But these same spaces also offer opportunities for resistance. Black Trans Digital Activism After a group of men in Baltimore attacked a Black trans woman, Hope Giselle took to Instagram as a way to organize. On Instagram, she shows the video of the attack and provides her analysis: Being a trans person. I know how these niggas work. I know how these nigga operate. And I understand how these situations play out and I understand how they tend to play out on social media. So what I’m going to give you all is the nuance as per my own lived experiences and how I know that these niggas like to play and then use social media to amp up their bad behavior. Hope Giselle recognizes the power of storytelling and personal narratives. She and many other trans women have utilized social media to explain their own experiences and to dispel dominant—and usually false—narratives about trans women. TikTok has become a prominent place for trans people to tell their own stories and to intervene in inaccurate and harmful information on social media. Zaya Perysian posted a TikTok explaining how trans-affirming healthcare is life-saving. Her TikTok was a direct response to the numerous efforts to prevent trans youth from having access to hormones. Kat Blaque is a Black trans YouTuber. Her vlog series, True Tea, uses her lived experience to tackle issues of race, gender, sexuality, and class. Ts Madison’s YouTube video called “B**ch Im BLACK” uses spoken word as a storytelling method for describing her experience as a Black trans woman, noting the intersectional issues that Black trans women have to navigate. Ts Madison focuses on transmisia within the Black community. Her video comes months after George Floyd’s murder and she contextualizes her experience within Black liberation movements to argue for the liberation of all Black lives, not just cisgender Black lives. Beyoncé sampled audio from Ts Madison’s video and included it in her Renaissance album (i.e., “Cozy.”) She samples Ts Madison’s declaration “I’m dark brown, dark skin, light skin, beige, fluorescent beige, bitch, I’m black.” Fittingly, Renaissance is an album that incorporates ballroom—a culture pioneered by queer and trans people of color. Beyoncé’s amplification is significant not only because she highlights trans of color culture and showcases an example of Black trans digital activism, but also because her amplification occurs during a moment of heightened anti-trans rhetoric and legislation. While digital anti-Black transmisia continues to power anti-trans politics, Black trans activists also use these platforms to combat anti-Black transmisia. Additionally, storytelling is a common and effective rhetorical strategy for dispelling misinformation/disinformation and harmful narratives about trans people. Liberation movements have long used storytelling in their activist and organizing efforts even before social media. Spaces like Twitter, TikTok, and YouTube provide platforms for trans people of color to tell our own stories, explain our own lived experiences, and organize our own communities.
